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Elisa Carollo

Arts Reporter

Elisa Carollo is an art writer, art advisor and curator with a focus on contemporary and ultra-contemporary art. With over a decade in the art business at different levels between secondary and primary market, as well as engaging institutions and Biennales, she covers the latest from the Art World and Art Market for Obsever.

  • ecarollo@observer.com
  • Elisa Carollo
  • @elisartgal
An exhibition view shows two visitors seen from behind looking at a large, brightly colored figurative painting on a pink gallery wall.

What Do Next-Gen Collectors Want From the Art World?

By Elisa Carollo
A man stands in front of a painting of a woman's face

London Art Dealers Take the City’s Temperature

By Elisa Carollo
A gallery guide speaks to visitors beside Rachel Maclean’s ornate, candy-colored mixed-media work, whose fairy-tale imagery blends rococo fantasy, Victorian excess and technological unease.

Ahead of Basel, London Gallery Weekend Put a Defiant, Energized City Scene on Display

By Elisa Carollo
An installation view shows translucent circular panels wrapping through the Korean Pavilion, with sculptural stations placed throughout the sunlit wooden interior.

In the Korean Pavilion, Nation-Building Is an Open and Ongoing Process

By Elisa Carollo
An exhibition display shows Chanel handbags in varied shapes, colors and materials arranged across two white wall shelves.

Christie’s Rachel Koffsky On How the Handbag Became the Art Market’s Most Elegant Entry Point

By Elisa Carollo
An installation view of “INFRASUPRA” shows FOROF’s dark archaeological space with black felt surrounding ancient marble fragments and blue spherical forms partially embedded in the floor.

At Giovanna Caruso Fendi’s FOROF, Rome’s Past Finds New Context in the Contemporary

By Elisa Carollo
A man in a dark suit sits on a wooden stool in a sparse room, looking to the side with his hands clasped.

When Great Collections Come to Market, Dane Jensen Makes Sure Nothing Is Left on the Table

By Elisa Carollo
A spacious gallery installation with suspended vertical wires, colorful curved glass panels arranged across the floor, and large wall-mounted glass works.

Su Xiaobai’s Meditative Material Practice Is the Focus of One of the Biennale’s Most Commanding Shows

By Elisa Carollo
Photo by Dan Bradica Courtesy the artist and Tanya Bonakdar Gallery, New York

The Temporal and Geographical Ambiguity of Mark Manders

By Elisa Carollo
A man sits cross-legged in front of a large quilt-like textile with red, blue and white geometric patterns.

At Marianne Boesky, Sanford Biggers Rewrites the Rules of Material Storytelling

By Elisa Carollo
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