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Newsletters

Dan Duray

Contributing editor Dan Duray is a writer in Brooklyn whose work has appeared in Puck, The Guardian, Vanity Fair, Bookforum, The Baffler, The Economist, W magazine and Town & Country, among other publications.

  • Dan Duray
  • @dduray8
A large Gerhard Richter artwork featuring thick red and orange abstract paint layers framing a photograph-like gallery scene with two older visitors walking through an exhibition space.

Gerhard Richter, Franz Kline and the Art Marian Goodman Never Let Go

By Dan Duray
A large installation of suspended geometric structures made from colorful venetian blinds and metal frames hangs throughout a high-ceilinged gallery space illuminated with pink and orange light.

One Fine Show: “Haegue Yang, Star-Crossed Rendezvous” at LA MOCA

By Dan Duray
A woman wearing black stands with her hands in her pockets in an empty exhibition space

De Pont Director Maria Schnyder On Why Financial Independence Is a Museum’s Greatest Asset

By Dan Duray
A trio of differently sized vintage-looking vending machines selling cocktails, milk and soup from the film Asteroid City

One Fine Show: “Wes Anderson, The Archives” at the Design Museum in London

By Dan Duray
A split layout pairing a crowded gallery opening—visitors mingling around a large, colorful textile-like installation in an industrial space—with the same portrait of the woman on the right.

Curator Adriana Farietta On Why CONDUCTOR Is the Fair the Art World Needs Right Now

By Dan Duray
A composite image shows the book cover of Trading Beauty: Art Market Histories from the Altar to the Gallery by Valentina Castellani alongside a black-and-white portrait of a smiling woman with straight, shoulder-length hair.

In “Trading Beauty,” Valentina Castellani Makes the Case That Markets and Masterpieces Have Always Been Inseparable

By Dan Duray
A strange Polaroid image of a human eye surrounded by swirls that seem like an angry, stormy sea

One Fine Show: “Lucas Samaras – Sitting, Standing, Walking, Looking” at the Art Institute of Chicago

By Dan Duray
A painted portrait of a stern looking beardless man in a dark shirt

One Fine Show: “Modern Art and Politics in Germany 1910-1945” at the Minneapolis Institute of Art

By Dan Duray
A portrait of Jean Cooney, wearing a navy blue blazer, sitting with a neutral expression against a simple white background.

Jean Cooney Is Back at Creative Time and Ready to Take New Risks

By Dan Duray
A grayscale portrait of a suit-wearing man photographed from the waist up.

Charles Chemin Has Been Training to Lead Watermill His Whole Life

By Dan Duray
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