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buying art

In Basel, a Cautious But Committed Market Rediscovers Its Nerve

"Art Basel remains the most important fair of the year… It starts strong, and it stays strong."
By Elisa Carollo
An abstract collaborative painting shows bold red, black, gold, purple and blue shapes around a central white circle marked with handwritten signatures.

Can Rock Royalty Really Make Art Worth Owning?

Less partisan collectors shouldn't automatically shy away from paintings and sculpture crafted by big-name musicians, though caution is advised.
By Simon Coates
A print of an etching of the entombment of Jesus

From Midnight Casts to Authorized Editions: Understanding the Market for Posthumously Produced Art

Works made after an artist's death fall into a fascinating gray zone, but that doesn't mean they're not a good buy.
By Daniel Grant

At TEFAF New York, the Masterpiece Market Had Plenty to Celebrate

By Elisa Carollo
An auctioneer stands at Christie’s rostrum during the sale of Jackson Pollock’s Number 7A, 1948, displayed on a large screen beside a $157 million hammer price, with the auction room audience seated in the foreground.

Christie’s $1.1 Billion Night Confirms the Health of the Market’s Upper End

By Elisa Carollo
A white-walled booth displays Kelly Tapia-Chuning’s textile works, including four wall-hung pieces and a central floor installation.

NADA New York Opens With Fewer Early Sales But Plenty of Potential

By Elisa Carollo
Two visitors stand among tall sculptural forms printed with images of water or ice, examining the installation closely inside a gallery booth.

Beneath the Art Market’s Recovery, a Structural Reset Is Underway

By Elisa Carollo
Portrait of Elliott Safra seated in front of a colorful floral textile backdrop.

Inside the Art Marketplace, Elliot Safra’s Bid to Make Private Sales More Efficient

By Elisa Carollo

Art & Money: The Great Divide

By Kenny Schachter
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