Is That a Caneletto? Kind of. When a painting at auction is labeled "follower of Caravaggio" or "studio of Rembrandt" or even "attributed to Caneletto," here's what you're actually buying. By Daniel Grant
Artemisia Gentileschi’s Revenge Is Still Radical A rare gathering of three of her works at the Columbus Museum of Art showcases how much—and how little—has changed. By Dian Parker
Beneath the Art Market’s Recovery, a Structural Reset Is Underway Our key takeaways from the most recent Art Basel & UBS Art Market Report. By Elisa Carollo
Historic Names, New Heights: Christie’s and Sotheby’s Log Over $200 Million in Old Masters Sales By Elisa Carollo
Dutch Golden Age Treasures from Thomas Kaplan’s Leiden Collection Take Center Stage in West Palm Beach By Dian Parker
The Silent Narratives and Revealing Exchanges of “Vermeer’s Love Letters” at the Frick By Hudson Warm
These Photographers Have Been Reimagining Classic Artworks Since Before It Was Cool By Karen Chernick